Wednesday, March 2, 2016

#OscarsSoWhite “Controversy”

                  Surely everyone expected that Oscars host, Chris Rock, after six weeks of silence on the issue was going to address the #OscarsSoWhite controversy during his monologue Sunday night. However, I don’t think viewers were prepared for Chris Rock’s assault on racism in Hollywood. He explored the issue similar to how we explore issues on campus at Rhodes, head-on, not just in his opening speech but in comments and recorded segments throughout the show.
“Everyone wants to know: Is Hollywood racist? Is it burning-cross racist? No. It’s a different racist,” Chris said Sunday. "You're damn right Hollywood's racist, but not the racist that you've grown accustomed to. Hollywood is sorority racist. It's like, 'We like you, Rhonda, but you're not a Kappa.' That's how Hollywood is. "But things are changing," he added, building up to a joke. "We got a black 'Rocky' this year. Some people call it 'Creed.' I call it 'Black Rocky.'
It was anticipated that Rock would widely address the lack of ethnic and gender diversity in Hollywood after no minorities were even nominated in any of the four acting categories for another year. The continual exclusion of diversity caused an uproar and led to some prominent black celebrities like Spike Lee and Jada Pinkett Smith, to skip the show.
Rock said that he himself was urged by some to step down as host in protest.
"I thought about quitting. I thought about it real hard. But they're not going to cancel the Oscars because I quit. And the last thing I need is to lose another job to Kevin Hart."
Rock's monologue alternated between jokes and more serious statements echoing those of black leaders who have called for the movie industry to be more inclusive in hiring and casting minorities. "It's not about boycotting. We want opportunities," Rock said. "We want black actors to get the same opportunities as white actors -- that's it. Not just once." Some of Rock's more pointed jokes drew gasps or stunned silence from the mostly white audience inside Hollywood's Dolby Theatre.
"This is the 88th Academy Awards. So this whole 'no black nominees' thing has happened at least 71 other times." Rock said black Americans didn't make a fuss about it back then because they had more important things to worry about. "We were too busy being raped and lynched to care about who won best cinematographer," he said. "When your grandmother's swinging from a tree, it's really hard to care about best documentary foreign short."

It’s apparent that Chris Rock was sending a message to everyone listening, his message was simple: African Americans want equal opportunity as white Americans. It’s a similar message we have explored in class. Consequently, it’s the same message that African Americans have voiced displeasure for, for centuries. Not only is the issue still relevant in 2016, it is prevalent. In retrospect, Chris Rock addressed the issue of #OscarsSoWhite, but the word “controversy” should not follow the trending hashtag. There is no controversy behind slavery in America and the lingering racism that is so clearly practiced in Hollywood. It is my hope that every American understands that we have an issue with the lack of diversity and ethnicity represented in Hollywood. We need the younger generations especially, to understand the depths of the issue so that we can be more mindful that America is not just white, and that movies should depict the reality of life, not just the reality that is associated with wealthy, white privilege.

3 comments:

  1. I agree with the points that you made when it comes to what Chris Rock had to say at the Oscars. The racism present in Hollywood is one that really needs to have the light shined on it. It is certainly worth emphasizing what Rock said about why people are just now noticing the racism present in Hollywood. In previous years the African-American population has been so pre-occupied by other injustices to worry about silly, self-indulgent film awards. African-Americans want and deserve equal opportunity and have more than enough proved their equality and at times superiority in the world of acting. There are many black actors and actresses who are household names and their brilliance cannot be disputed. It is beyond time that the racism and white privilege in Hollywood was challenged. Hopefully this issue has not been overshadowed by the fact that Leo finally won best actor.

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  2. As you addressed in your post, I think one of Rock's most important points from that night was his comment, "Is [Hollywood] burning cross racist? It's a different type of racist… Hollywood is sorority racist. It's like, 'We like you Rhonda, but you're not a Kappa."

    I thought this was significant in that Rock is quick to identify how selective Hollywood is when recognizing talented, successful actors/performers of color. There are a few specific ones that Hollywood accurately gives credit to, such as Kerry Washington, Halle Berry, Morgan Freeman, Samuel L. Jackson, and Whoopi Goldberg, but aside from that, the Academy rarely recognizes African American newcomers for nominations. Even Will Smith was not recognized or nominated this year for his performance in "Concussion."

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  3. 1.) From the Oscars I agree with the lack of diversity in regards to the African-American demographic receiving recognition for their hard work, the same work put it by those of Caucasian and Latino decent. I would like to focus my response to the lack of Asian-American representation in Hollywood as a whole. For example, most Asian-Americans are cast into either supporting or stereotypical role that the audience either don’t notice or contribute to the negative stereotypical bias again Asian-Americans. This psychological tendency our society possesses is best seen, in one of my favorite movies, Rush Hour. Rush hour depicts two detectives exploring the realms of crimes. One of the detectives is Asian and he possesses the characteristic that contributes to the stereotypical bias, exceptional skills in martial arts, social ineptitude, as well a strong presence of a language barrier that detracts from the functionality Asians endure in modern American society.

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